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- All interpretations must rest upon the literal sense, which is defined
as the original author’s intention.
- Author’s intention can only be uncovered by
- use of literary forms,
history, archaeology, etc.
- From Exegesis to Hermeneutics:
- Content and unity of the whole of Scripture
- Living Tradition of the whole Church
- Analogy of faith (i.e., the coherence of truths)
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- Our Questions
- What are the different types (genre, literary forms) of movies – and
what is the social function of each type?
- What is the pattern of a romantic comedy?
- What is the significance of movies that “break the pattern”?
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- Comedy: Screwball, Satire, etc.
- Everything will turn out OK in the end.
- Romance: Comedic, Tragic, etc.
- The dignity of human struggle for love makes life worth living.
- Adventure: Action, Westerns, etc.
- Life is a battle between good and evil – and good prevails when one
person of courage stands up to evil.
- Suspense: Horror, Detective, etc.
- Life is dangerous and unpredictable because evil is a powerful force in
the world.
- Documentaries: Informative, Persuasive, etc.
- Knowledge is the key to making the world a better place.
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- Westerns were the rage during the Cold War, but now are rarely
seen. Star Wars “prequels” didn’t
work in a post-Berlin Wall world.
- What does it say that Reality TV shows – which focus on winners and
losers who are pitted against each other in competition – became the
rage since the turn of the millennium?
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- External force results in boy meeting girl.
- Boy and girl despise each other and separate.
- Boy and girl, through circumstances beyond their control, meet again and
start falling in love.
- Due to some misunderstanding or complication, boy and girl separate
(usually the result of some social discrepancy or interpersonal
inauthenticity).
- At the last possible minute, either boy or girl then chooses to reunite
with the other, but first must overcome various obstacles.
- Boy and girl live happily ever-after (comedy or drama) or self-sacrifice
– preferably death – leads to undying love for the other, even though
permanently separated from each other (drama).
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- Since the plot line of a Love Story is so predictable, why do we pay
money time and time again to see the same ending?
- The reason: the plot communicates an attractive message that we want to
believe in as a society – love conquers all – as well as
- opposites attract
- love involves both fate and
choice
- love is an irresistible force.
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- Solution: Find a new “complicating circumstance” like . . . gender
differences.
- Formal elements do not change,
- but conventional element (content) of form does – and this reflects
shift in social location
- (Sitz-im-Leben)
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14
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- All forms of verbal communication among human beings, whether expressed
orally or in writing, follow well-defined patterns.
- The social circumstances and the literary purpose dictate the form
selected.
- Example: business vs. friendly letters.
- Changes in the ideal form indicate some unique circumstance or purpose.
- Example: mixed form of business and friendly letter.
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- Since God speaks in Sacred
Scripture through men in human fashion, the interpreter of Sacred
Scripture, in order to see clearly what God wanted to communicate to us,
should carefully investigate what meaning the sacred writers really
intended, and what God wanted to manifest by means of their words. To search out the intention of the
sacred writers, attention should be given, among other things, to "literary
forms”. For truth is set forth and expressed differently in texts which
are variously historical, prophetic, poetic, or other forms of discourse. The
interpreter must investigate what meaning the sacred writer intended to
express and actually expressed in particular circumstances by using
contemporary literary forms in accordance with the situation of his own
time and culture. For the correct
understanding of what the sacred author wanted to assert, due attention
must be paid to the customary and characteristic styles of feeling,
speaking and narrating which prevailed at the time of the sacred writer,
and to the patterns men normally employed at that period in their
everyday dealings with one another. (par. #12)
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